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April 2, 2023

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Hi !

Welcome to the 50th edition of the One for the Week newsletter.

I appreciate you including OFW on your reading list and don't take it for granted - particularly with everything you have to read, think about, and do during your week!

So thank you...and now, your One for the Week.

 
 
 

1. How to Expand Your Impact and Connect with Your Audience by Using the Power of Emotion

 

What does it mean to "use emotion" in your writing?

And why should you care?

Let's consider each question individually:

(1) What does it mean to "use emotion" in your writing?

Emotions are feelings, reactions, and related sensations that can greatly impact our thinking and behavior but don't usually involve logical reasoning.

Strong verbs create vivid imagery in your reader's mind, enabling them to "feel and experience" your content.

To be affected by it.

A powerful, easy-to-apply way to incorporate emotion in your writing is through strong verbs.

Examples of strong verbs:

Thrash | lacerate | cuddle | shriek | stun | nuzzle | fuel | empower | drive | crumble | undercut | strip | crush | boost | shine | celebrate | speed | hurtle | sink | block | harness | jab | jolt | energize |

Are any of these words creating a mental image of their meaning in your mind?

Affecting - even for a millisecond - the way you feel?

(2) So...why should you care?

a) Creating imagery in the mind of your reader captures their attention. They're literally "thinking along with you", seeing and feeling your point. They're paying attention to your message. Grabbing and holding your reader's attention is the foundational objective of all writing - necessary (but not sufficient) to communicate your message.

Here's an example:

His writing "shouts" and "whispers", "casting" a spell over readers.

b) Strong verbs enable brevity. Short, to-the-point content is more likely to keep reader's attention. It's easier to remember. Weak verbs - often forms of the verb "to be" (is, was, were, will be) require more supporting words (often adjectives and adverbs) to fill in meaning.

Here's an example: 

He is a "talented" and "unique" writer vs. His writing shines.

Long, winding sentences raise the risk your reader's attention will drift and fade before your message is communicated.

Weak verbs inject a double dose of dreariness into writing:

They don't conjure up mental images that can impact the way readers respond to, or remember, your message

They bloat sentences by requiring insertion of add-on words (usually adjectives and adverbs) to convey meaning.

What does neuroscience say about the way our brains respond to emotionally-charged words?

First, a few words from our sponsor:

 
 

 

Sponsorship message:

This week's newsletter is sponsored by OneSkin.

Led by Ph.D. scientists dedicated to helping people age in a healthy, vibrant way, OneSkin patented the first peptide (protein building block) scientifically proven to reverse skin aging at the molecular level.

 

 

Readers of One for the Week receive a special 15% discount off an entire OneSkin order (any product(s), no minimum purchase). If you haven't yet experienced OneSkin products,  you'll get a first-time customer discount plus an additional 15% off your order with the special SCIENCE15 code for OFW readers.

See what the science of OneSkin can do for you.

 

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* 2 things to know: I only accept sponsorships from companies whose products I use myself, and I receive a small commission from sales that use the SCIENCE15 discount code (enabling One for the Week to remain free for readers).

 
 

2. The neuroscience supporting use of emotion to sharpen your writing 

 

In his upcoming book, 8 Secrets from Science That Will Fire Up Your Readers' Brains to be published by HarperCollins on April 4, leading business author Bill Birchard discusses the different way our brains process words prompting emotions compared to other words that do not.  

I asked Bill about this when I interviewed him on my podcast, When Science Speaks.

Click the video below for Bill's explanation.

 
 
 
 
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3. Your Turn 

 
 
 

What do you think about the ideas in this week's edition?

What are the ways you've incorporated emotional words in your writing? Results you've noticed?

Let me know your thoughts, and I'll share your comments in a future One for the Week.

 
 
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